Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…
For many young people with safe and easy lives, the most heartfelt prayers often concern relationships with the opposite sex. I used to be embarrassed by this, since I felt a little panty-waisted praying for “wisdom” about “that girl” while reading: Be merciful to me, O God, for man would…
I’d like to start by thanking Peter for taking the time to read and review The Slavery of Death and for letting me share a few thoughts about some the questions and concerns he had about the book. Let me start with a confession. Interdisciplinary work is a scary thing…
The extension of rights to the Jews was one of the great achievements of the French Revolution, and in Out of Revolution: Autobiography of Western Man (219-29) Rosenstock-Huessy moves from a discussion of the resulting Jewish enthusiasm for liberalism to a digression dealing with the relation of Jews and Gentiles…
In two recent books, The Slavery of Death (2014) and Unclean: Meditations on Purity, Hospitality, and Mortality (2011), Richard Beck, a professor of psychology at Abilene Christian University, explores the connections of theology and psychology. Both books examine the overlap between biblical themes and psychological research. The Slavery of Death…
Epiphany is a season of light. The specific event celebrated during Epiphany is the visit of the magi to the Christ child, but the magi were always understood as the firstfruits of the nations. The magi were drawn to the Christ child by a light in the sky, a star…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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