Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Evangelistic Message to the Uninformed: 1 Timothy 3.14-16 Even though this is written as a sermon for delivery, and even though it was preached in a homiletics class, I decided I can’t post it as a sermon because it was not truly preached at a place where nonchristians wanted to…
If we only read the Gospels of Mark and Luke, we might get the impression that Jesus’ ascension was on resurrection Sunday. Matthew speaks of going to Galilee but he does not put things into a clear time frame. John shows us that Jesus appeared to the disciples eight days…
The most cursory glance at the history of Western literature reveals that it has been deeply influenced by the Bible. Some of the greatest classics of Western literature draw their plots, characters, and ideas largely from Scripture; Dante’s Divine Comedy and Milton’s Paradise Lost are two of the most notable…
Few themes emerge as profoundly and persistently in the streams of biblical narrative as the conflict between light and darkness, and the juxtaposition of humanity with monstrosity. These themes not only weave through the fabric of Scripture, emerging in stories from Genesis to Revelation, but also stitch together the human…
In John Wenham’s work, Easter Enigma , he devotes an entire chapter to Mary Magdalene, which is rephrased and summarized here. 1 One of the interesting things that Wenham said was that Mary Magdalene was the second “most favored woman in the Bible.” 2 He adds, “Yet apart from a…
God made man to live in a larger relational context, and even in high rebellion, man cannot escape his created nature. Instead, that nature takes revenge on rebellious man. Autonomous and alone, the self craves absolution but recognizes no authority that might give it; it thirsts for glory but rejects…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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