Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
WHAT IS THE OT PRECURSOR OF THE NT OFFICE OF PASTOR? HOW DOES THE FORMER ILLUMINATE THE LATTER? The first problem to address is: how do we know that there is an office of pastor in the New Testament? 1 Perhaps the way the question is put may permit me…
[This essay was originally published in December, 1981, in The Biblical Educator , a publication of the Institute for Christian Economics, and again with slight revisions in Contra Mundum 7 (Spring, 1993). It is reprinted here as a supplement to my book Creation in Six Days .] In 1979, Dr.…
Anyone seeking to reverse the meaning of this promise needs to come to grips not only with the phrase "God was with the lad" later on, but also with Hagar’s response in 16:13. She worships Yahweh, putting her trust in Him and obeying Him. In fact, Hagar is at the…
Ishmael is the narrator of Melville’s fantasy-romance Moby Dick. Melville takes up the traditional view of Ishmael as a wayward son of Abraham, driven out solely because of the Divine "caprice" of election, an angry man with his hand raised against all other men. He is a fitting "anti-hero," or…
There were five cities at the center of the Canaanite culture in the circle of the Jordan, a place like the Garden of Eden, like the land of Egypt, before it became the Dead Sea at the destruction of the cities (Genesis 13:10). Genesis 14:2 tells us their names: Sodom,…
Meditations by James B. Jordan Genesis 19, the destruction of Sodom and the rescue of Lot, is part two of a story that begins in Genesis 18. These two chapters happen in one 24-hour period: noon and evening in Mamre, and midnight and daybreak in Sodom. God and two angels…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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