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Writing

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Art

Toward a Biblical Definition of Obscenity

My copy of Webster’s New Collegiate Dictionary (1976: not so new, really) defines obscene as (1) "disgusting to the senses; repulsive" and (2) "abhorrent to morality or virtue; specif: designed to incite lust or depravity." Definitions such as this serve a useful purpose only when there is agreement on what…

by Peter LeithartMay 30, 1991
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Biblical Studies

The Abomination of Desolation, Part 1

An Overview Here begins a series of studies in the Abomination of Desolation, or Desolating Sacrilege. This month and next I shall set out an overview of what I regard as the best interpretation of the phenomenon. Later essays will look at it in more detail. (The original form of…

by James B. JordanMay 22, 1991
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Biblical Studies

Advice From a Sojourner, Part 12

29. There are three things that are stately in their march, Even four that are stately when they walk: 30. The lion is mighty among beasts And does not turn back before any, 31. The strutting cock, The male goat, And a king with his army around him. 32. If…

by James B. JordanMay 22, 1991
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Biblical Studies

The Chronology of Ezra & Nehemiah, Part 4

We have seen that it is likely that the Artaxerxes of Ezra-Nehemiah is the same as Darius the Great. If this solution be correct, and I think it is, possibly there is another problem in Ezra that can be resolved by it. In Ezra 4:6 we are told that "in…

by James B. JordanMay 22, 1991
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Biblical Horizons

The Weight of Being

Czech novelist Milan Kundera, though hardly a household name in the English-speaking world, has achieved a certain notoriety in America in recent years, largely on the strength of the English translation and film version of his novel, The Unbearable Lightness of Being. 1 The Unbearable Lightness of Being — the…

by Peter LeithartMay 6, 1991
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Proverbs

Advice From a Sojourner, Part 11

24. Four things are small on the earth, But they are exceedingly wise; 25. The ants are not a strong folk, But they prepare their food in the summer; 26. The coneys are not a mighty folk, Yet they make their houses in the rocks; 27. The locusts have no…

by James B. JordanApril 22, 1991

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Shepherd of Israel

1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…

October 25, 2016
Reformational Catholicism

Reformational Catholicism, A Wish-List

I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…

October 24, 2016

Lust Made Law

D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…

October 21, 2016

Incontinence, Malice, Bestiality

E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…

October 21, 2016

Infernal Baptism

R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…

October 21, 2016
Shakespeare

Antidote to Sadness

A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…

October 21, 2016

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