Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Bible depicts Man’s transformation from beas t to priest in and through Jesus Christ. Two sets of people have their garments designed by God in the Torah: Adam and Eve and priests (of which the High Priest’s garments garner most attention). The first garment is beastly, while the second…
I became the pastor of Westminster Bible Church in Bowling Green, Kentucky soon after completing my Ph.D. in church history. On paper, it was the ideal church for me. Even the name, I thought smacked of my preferences: the Westminster Confession with idealistic Biblicism. I didn’t know it had been,…
Why do we believe in the resurrection of Jesus? It itself, it is utterly unbelievable, as the two disciples on the road to Emmaus also concluded (Luke 24:19-24). But why is it so unbelievable? Are there not many stories of a dead man or woman coming back to life? Stories…
In the first installment of this two-part essay, we provided a rough outline of a thick theological account of Christian hope. We concluded with mention of important critiques of such traditional views on hope, that by orienting Christians to place their ultimate hope in God and the future consummation of…
Dare we hope in the midst of “ negative world ”? The idea of the “negative world” has recently served as a helpful framework for many to come to terms with the fact that Western societies (particularly the United States) are aggressively turning against their Christian roots and moral values.…
In his prologue, Luke tells us that his gospel history is an “orderly account” (1:3). Although generally chronological, time is not the only or the main organizing principle for his history. To argue for Luke’s main theme would take up too much space, but instead I want to explore one…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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