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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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As a Little Child

L ook at a wall, suggests Matthew Crawford ( The World Beyond Your Head ). What color is it? You probably have an answer, a simple one, but when you force yourself to look closely you can see all sorts of variations. The paint is uneven; the old color shows…

October 14, 2016

Denominational DIscourse

P rior to the 1830s, argues JCD Clark ( The Language of Liberty, 1660-1832 ), British political debate was carried on with denominational idioms. Political divides were denominational divides. Political and denominational issues overlapped and intertwined. Political networks, on both sides of the Atlantic, followed denominational pathways. As Clark puts…

October 14, 2016

Why We Sing

I n Revelation, martyrs sing before martyrdom and after martyrdom (Revelation 14-15). Their martyr songs are the war songs of the Lamb, the triumphal chants of those who overcome because they, like the Lamb, do not love life even to death. It doesn't happen only in Revelation. In his comments…

October 14, 2016

Greek Love

S ummarizing themes from his Love, Sex, and Tragedy , Simon Goldhill highlights the difference between ancient Greek conceptions of eros and Christian and post-Christian conceptions of romantic love. Even the most famous lovers of Greek antiquity, he writes, don’t express themselves with the little nothings that are normal among…

October 14, 2016

The Poet and the Christian

I n a TLS review of several new books on Kierkegaard, Will Rees comments on the therapeutic cruelty of Kierkegaard’s writing. In Sickness Unto Death , “Anti-Climacus explains how, far from an inheritance of birth, the ‘self’ is in fact a vocation – something that one must forge in a…

October 14, 2016

Queen of Snark

D evoney Looser says that Jane Austen’s juvenilia is an exercise in burlesque . Not the strip-tease variety, but not so far from that either: “Where a parody sets out to mimic conventions and make us laugh, a burlesque relies ‘on an extravagant incongruity between a subject and its treatment.’…

October 14, 2016

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