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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Atonement

God of the Furies

The idea of atonement is not a distinctly Christian, or even Hebraic, concept. It also makes an appearance in ancient Greek thought (among other places). The Greek tradition is by no means monolithic, so it isn’t possible to speak of a “Greek” concept of atonement. But there are certain commonalities…

by Gerald HiestandFebruary 18, 2016
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Acedia

Sloth, Song, Story

As we know, there are seven deadly or capital sins. Prior to the list of the seven deadly sins there was a list of eight evil thoughts or demons. It was made by an Eastern monk, Evagrius Ponticus. When the list was transposed to the West, one evil thought was…

by Bogumil JarmulakFebruary 16, 2016
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1 Corinthians

What the Corinthians Did Right

Paul’s letter to the Corinthians is one of those epistles in Scripture to which pastors and teachers resort to show the church everything that it shouldn’t be . There is, of course, good reason for this. The Corinthian church was filled with all sorts of problems. Personality cults (i.e., factions),…

by Bill SmithFebruary 11, 2016
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Church Calendar

To Ash or Not To Ash

Today is Ash Wednesday , and as many Christians of the Protestant formerly "low church" persuasion are reacquiring some of the good and ancient practices of the church, one question in particular comes to the front: to ash or not to ash? That is, while many of us are finding…

by Timothy LeCroyFebruary 10, 2016
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Church Calendar

40+ Reasons To Observe Lent

A murder of tweets. To observe Lent rightly, we have to be persuaded that we already stand in God’s favor. Ash Wednesday reminds us to number our days. It helps us gain a heart of wisdom (Psalm 90:12). We keep Easter to manifest and deepen our prior share in resurrection.…

by Peter LeithartFebruary 9, 2016
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Matthew

New Moses

Dale C. Allison, Jr., The New Moses: A Matthean Typology (Minneapolis: Fortress, 1993). Dale Allison 1993 book is a superb case study in the New Testament's use of the Old. Though he focuses on only a single typology (Christ as a new Moses) in only a single gospel (Matthew), Allison's…

by Peter LeithartFebruary 4, 2016

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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