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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Grace

Never Be Dismayed

I'm afraid of messing up. Not just of messing up in general, but of messing this up—the big This that is the story that is my life, the story that God is attempting to tell with me as His material. The question casts its shadow over all my decisions. Can…

by Leta SundetOctober 6, 2015
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Revelation

Greater Phinehas

Jesus’ letter to Pergamum mentions Balaam and Balak (Revelation 2:14), and that is a signal that the whole message is running along the lines of Numbers 22-25. The death of the high priest is a sacrificial moment in the life of Israel. According to the rules of the cities of…

by Peter LeithartOctober 1, 2015
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Marriage

The Glory of Self-Giving: A Wedding Homily

As you come to be joined in marriage today, I want to take a moment to focus on one important dimension of what it means to be married as Christians: that is as those who know Jesus and are being made into His likeness. This is a glorious day, full…

by Joshua AppelSeptember 29, 2015
jesus-centurion
Authority

Authority and Faith

When Jesus was entered into Capernaum, there came unto him a centurion, beseeching him, saying, “Lord, my servant lieth at home sick of the palsy, grievously tormented.” Jesus saith unto him, “I will come and heal him.” The centurion answered and said, “Lord, I am not worthy that thou shouldest…

by Lindsey TollefsonSeptember 24, 2015
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Genesis

The Two Shall Become One Flesh: A Wedding Homily

Philosophers have measured mountains, Fathom'd the depths of seas, of states, and kings, Walk'd with a staff to heaven, and traced fountains But there are two vast, spacious things, The which to measure it doth more behove: Yet few there are that sound them; Sin and Love. The Agonie –…

by Joshua AppelSeptember 22, 2015
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Luke

Of Sandals and Heroes

The third chapter of Luke famously opens with a list of mighty men, seven mighty men, potential heroes of the Mediterranean world. Beginning with Tiberius Caesar and Pontius Pilate, passing on to Herod the Tetrarch and his brothers, and ending with two High Priests, Luke says that the word of…

by Toby SumpterSeptember 17, 2015

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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