Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Genesis 3 ends on a decisive, and decisively negative, note. Yahweh “drove the man out” of the garden, and, in addition, “at the east of the garden of Eden He stationed the cherubim, and the flaming sword which turned every direction, to guard the way to the tree of life.”…
When she died in 2005 at the age of 72, Anna Haycraft, the author who published under the name Alice Thomas Ellis, was a celebrated writer in Great Britain. While working at Duckworth Publishers(which her husband owned), she produced a dozen novels, a collection of short stories, a cookbook, volumes…
Some have suggested recently that my "project" is postmodern. To clarify my views on postmodernism, I'm re-posting something I wrote in 2005, with a few modifications. For a fuller discussion, you can check out my Solomon among the Postmoderns (Canon, 2008). First, it is helpful to distinguish, as many writers…
Calling Jerusalem the "holy city" comes so naturally to Christians that it comes as something of a surprise to realize how infrequently the phrase is used in Scripture. Not only is Jerusalem rarely called holy, but in the Old Testament this classification is found only in texts that refer to…
Asking why the church doesn’t sing hymns or even why men don’t sing in church is a bit like lamenting over the lame man who can’t waltz on the dance floor. While it is a valid question, the more immediate question would seem to be, “why doesn’t the lame man…
The theme of 1 Timothy is the distinction between the true children in the Household of God and false children who really belong to the household of Satan. This is seen in the fact that in the chiastic structure of the Epistle, heresy is the subject in the center (…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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