Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…
Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…
In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…
The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…
Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…
Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…
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According to Michael Nerlich ( Ideology of Adventure ), “all figures of the Greek and Latin novels of adventure are ‘involuntary’ adventurers.” Mikhail Bakhtin too ( Dialogic Imagination ) emphasizes that in earlier adventures “an individual can be nothing other than completely passive, completely unchanging” and function as “merely the…
Winder McConnell ( Nibelungenleid , 98-99) sketches the changing uses of the epic in the mid-20 th century: “During the Weimar Republic, the themes and motifs of the Nibelungenlied had been employed by authors of antirepublican persuasion to express optimism for Germany’s future, but poets and dramatists sympathetic to the…
In an essay in A Companion to Gottfried of Strassburg's Tristan , Ulrich Muller argues that “In Tristan und Isolde Wagner radically transformed the meaning and message of Gottfried’s romance, just as he had in Parsifal. As cast by Gottfried (and in all medieval versions), the lovers and their love…
Andreas Capellanus literally wrote the book on the Art of Courtly Love , but the concluding Book 3 suggests that the book was a cautionary tale throughout. Capellanus closes the treatise with an exhortation to Walter, the man to whom the book is addressed to abstain from the desires of…
Even today, when historians have abandoned the idea, many regard the Middle Ages as a time dark and ignorant, the huddled masses in shadows until the burst of light that came with the Renaissance and then the Enlightenment. For centuries, it is often thought, medieval thinkers knew little of the…
Allegorization was one of the techniques medieval used, adapted from ancient writers, to incorporate pagan writing in a biblical framework. As Ernst Curtius ( European Literature and the Latin Middle Ages ) writes, “the Middle Ages subjected profane writers to allegorical interpretation exactly as it did the Bible, and .…
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