Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…
Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…
In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…
For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…
How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…
Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…
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When John first enters heaven, no altar is visible. He sees an altar for the first time when the fifth seal is broken, and at that point his attention is directed to the base of the altar, where the martyred saints have shed their blood (6:9). The next time we…
Richard Beck points out in Unclean that disgust is “promiscuous”: It “has a degree of plasticity; it is molded to fit a given culture.” In this, disgust differs from other emotions: “The core triggers for happiness, fear, sadness, or anger appear to be fairly stable and consistent across cultures. But…
Ernest Becker wrote: “Excreting is the curse that threatens madness because it shows man in his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man’s utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the…
The worship of the beast in Revelation 13 takes the form of an acclamation of His uniqueness. “Who is like the beast?” they cry. This has several layers of significance. This acclamation echoes the acclamation of Israel in the song of Moses: “Who is like You among the gods, O…
The beast of Revelation 13 initiates a double attack against the saints: first blasphemy, then he “makes war” on them (vv. 6-7). The blasphemies are against God, but they are directed also at the name of God, His tabernacle, and those who dwell in heaven (v. 6). The dragon has…
Polybius wrote, “when a man who has been helped when in danger by another does not show gratitude to his preserver, but even goes to the length of attempting to do him injury, it is clear that those who become aware of it will naturally be displeased and offended by…
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