Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“We have a God who hides things because He loves to be sought out, chewed out and found out.” As Christians, we are rightly taught that we must not question God’s Word. The problem is that the Scriptures record many things which appear to have been given to us for…
The book of Revelation is a liturgy. John begins “in the Spirit” on the “Lord’s day” (1:10). Jesus appears, and Jesus tells him to record messages to seven churches, words of encouragement and rebuke, like the call to worship and confession at the beginning of a Christian liturgy. In chapter…
In my previous posts, I looked at the theme of creation as it is found in a sequence of psalms devoted to Yahweh’s Kingship (Psalms 93-100). Among other matters, these psalms declare that when the Kingdom of Israel’s God comes, it is the Kingdom of the world’s own Creator .…
The church in Corinth was a pastoral nightmare. Factionalism, sexual immorality, incipient syncretism, using the church as a stage for self-promotion, and denial of the final resurrection were just some of the problems. In Paul’s first letter to the Corinthian church, he confronts each of these problems directly and in…
The first chapters of the Word of God have a poetic rhythm. This is used to discredit their accuracy as historical narrative, but the truth is that these same rhythms continue far beyond the book of Genesis. In fact, the later texts shed light on the frustratingly succinct account of…
Mr. Martian: What’s that there? Mr. Edison: (Edison holds up a standard, 60 watt lightbulb). It’s a lightbulb. Mr. Martian: A “lightbulb” you say? What exactly is a “lightbulb”? Mr. Edison: A lightbulb is an object used to illuminate a dark area, say a room. It’s made primarily of filament…
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In his TLS review of Kathryn Walls’s study of the symbolism of Una in Spenser’s Faerie Queene ( God’s Only Daughter ), Bart van Es compares Walls’s book to that of John Dixon, a sixteenth century farmer who annotated his copy of Spenser: “Like Dixon, Walls takes the Bible and…
When John enters heaven (Revelation 4), He sees the Enthronement as a precious stone, a stone glowing with light, a stone that sparkles like a star, and He is surrounded with a rainbow that is also described as a precious stone. Specifically, the stone is the emerald. This is the…
In his Caused to Believe , William Bonney follows up suggestions from Charles Giblin regarding the structure of John’s prologue and the structural connections between the prologue and the gospel. Giblin finds what he calls an X-Y pattern in the prologue: “The X of this pattern encompasses verses 1–13. The…
In the latest issue of the International Journal of Systematic Theology , the redoubtable and hyper-productive Matthew Levering probes Augustine’s arguments (in de Trinitate ) for concluding that the Spirit is “love” and “gift.” As Levering points out, the identifications are not straightforwardly asserted anywhere in Scripture, yet Augustine makes…
God’s throne in heaven, like Sinai, flashes with lightning, crashes with thunder (Revelation 4:5). Those throne phenomena are repeated at crucial seams in the book of Revelation, with additions. After the seventh seal, an angel throws fire to earth, which reproduces the heavenly throne on earth (8:5)—thunder, sounds, lightning, with…
Christians walk into church through a door. All of them can come in. There’s no restricted access. Inside, there’s a lectern with a Bible, a table with food, a pastor in white. In some churches, the aroma of incense fills the air. It’s the holy place; in fact, the most…
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