Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Below is an excerpt from Mark Horne’s manuscript from his forthcoming commentary on Ephesians, specifically on Paul’s reference to Christians as “saints” (Ephesians 1:1). “Paul, an apostle of Christ Jesus by the will of God, to the saints who are in Ephesus, and are faithful in Christ Jesus.” Paul greets…
There was nothing in the ark except the two tablets that Moses put there at Horeb, where the LORD made a covenant with the people of Israel, when they came out of Egypt (2 Chronicles 5:10). When Solomon finally brought the ark of the covenant to the finished temple in…
In As You Like It , Shakespeare famously describes the seven ages of a man’s life. The division of man’s life into stages is not an invention by Shakespeare, nor merely a common medieval artifice, but an expression of the real journey taken in life. Shakespeare seems to divide up…
Is there a chief characteristic which best illumines the image of God in Man? What is it exactly that makes Man as a lens through which to see God? Moses thoughtfully and deliberately escorts the reader to the characteristic showcased above all else: humility. Though much ink has been spilled…
Note: This essay is adapted from a talk delivered at the Howell E. Jackson Committee conference on “Foundations of Baptist Education,” held at Union University, Oct. 4-5, 2024. It’s no secret that evangelicals are converting to High Church traditions, a term I will use to refer to Anglo-Catholicism, Roman Catholicism,…
In recent years, there has been a flurry of conversions from Protestant Christianity towards Eastern Orthodoxy and Roman Catholicism, at least in part due to their supposed early church heritage relative to Protestantism. In the words of Rod Dreher, a former Methodist who converted to Eastern Orthodoxy, “Many evangelicals seek…
Showing page 12 of 309
Showing page 1 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
