Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For ye had compassion of me in my bonds, and took joyfully the spoiling of your goods, knowing in yourselves that ye have in heaven a better and an enduring substance. Hebrews 10:34 There is an old Puritan dictum that goes, “Sit lightly on the world.” George MacDonald places it…
As Genesis unfolds, God chooses a line of promise out of the nations. One by one its offshoots are peeled away as the story zooms in on God’s chosen people, Israel. First, the line of Cain is peeled away as Cain is sent out from the presence of YHWH. Though…
The following article was an address given to Anselm Presbytery (CREC) in the Fall 2024. Grace to you and peace from God our Father and the Lord Jesus Christ. Pray with me. Father of Heavenly Lights and fount of all Wisdom, guide us we pray, by your Word and Spirit,…
At my age, I’ve given up on the fantasy of “keeping up.” Much of my reading is now narrowly focused, research-reading in service of writing projects. If you want bibliography on the ontology of artifacts in Aristotle and Thomas Aquinas (which you don’t), or the purity laws of Leviticus, or…
I have been reading, thinking, and writing about the Internet and its effects upon our identities, communities, polities, and discourses for nearly a copy of decades. In that time, I have encountered no book as perceptive on the subject as Antón Barba-Kay’s A Web of Our Own Making: The Nature…
Identifying the men Paul refers to as “enemies of the cross” in Philippians 3:18 turns out to be relatively difficult. Peter O’Brian speaks of “all kinds of suggestions regarding their identity,” and offers a list of interpretations: “moral libertinists, behavioural materialists, orthodox Jews, lapsed or apostate Christians—because of persecution, Jewish…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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