Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Inspired by the “Moscow Mood” Debate In a shocking 1961 study, Yale psychologist Stanley Milgram would don an official-looking white lab coat and tell a volunteer to administer increasing shocks to another “volunteer” in an adjacent room strapped into an “electric chair” just out of sight. The shocks were incrementally…
My title and the substance of the article are borrowed from a section of David Wenham’s excellent book, Paul: Follower of Jesus or Founder of Christianity? I am appropriating ideas from the pages in his book which address the question, “Why Does Paul refer to Jesus’ Life and Ministry so…
Some of us may be familiar with the notion that the epistle of James is like a New Testament version of Proverbs or other wisdom literature. According to this line of thinking, the epistle of James (together with the other wisdom literature) is basically a collection of timeless sayings without…
This summer I started walking a long trail that ran north from our home. On my best days, I would walk a total of five miles at a brisk pace. This trail follows the power lines that serve a significant portion of North Dallas and stretches far past the two…
I am an Australian. I went to the American Academy of Religion mega-fest last year to meet up with some friends, to present a paper at a ‘science and religion’ panel, and to marvel at the sheer scale of how Americans do things. It was quite a ride. Looking at…
Part 1 Part 2 Part 3 We evangelicals do not often understand the roles of men and women in ministry. Because our consumerist culture has gutted the notion of family as it was historically understood, all Biblical passages about women in church ministry (a familial organism) are almost incomprehensible to…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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