Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mark Horne has done a good job elucidating how martyrdom paves the way for revival and success of Christ’s kingdom in the world, just as it also can bring more hardship and suffering. The diverging wheat and tares both growing up together, both benefitting from the watering of blood on…
For Part 1, click HERE . Anyone who has read James B. Jordan’s Through New Eyes: Developing a Biblical View of the World and appreciated it as a revelation of how God communicates in symbols and types—both in His Word and in the created order—understands what it is like to…
Abel was the first martyr in history. There is no evading this. Jesus pairs him with a murdered prophet (Matthew 23:35; 2 Chronicles 24:20-22). Abel’s blood was heard by God (Genesis 4:10), and God responded to the cry by driving out Cain, Abel’s killer, from the eastern borderland near Eden…
Adapted from The Shape of Isaiah: A Covenant-Literary Analysis The prophetic texts are the most difficult parts of the Bible to understand. And when it comes to baffling the reader, they are no respecter of persons, perplexing with their Delphic wiles even the studied scholars. It has been said that…
The subtitle for the 2004 film Dodgeball is “A True Underdog Story.” If the viewer lets the words pass by without a double-take, he or she will likely spend the rest of the movie, which applies the “unlikely teammates make the best teams” trope to the “sport” of dodgeball, asking,…
The book of Ezra gives an almost odd amount of attention to vessels. These holy vessels, whether cups, bowls, or flagons, are either dedicated as tribute or were used in temple service. The two Hebrew words translated as ‘vessel’ in most English translations are used a total of 14 times.…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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