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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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God’s Body

Judaism and Christianity are often contrasted as an opposition between “ritualistic” and “nonritualistic” systems. Howard Eilberg-Schwartz ( The Savage in Judaism , 140) argues that this is a mistake. The real difference is a difference of “root metaphor.” This is partly a difference between the pastoral/agricultural setting of Israel’s imaginative…

March 27, 2014

Prophetic Liturgy

Tercio Bretanha Junker’s Prophetic Liturgy has much to commend it. Junker aims to show how the church is trained for “prophetic praxis” through the liturgy. Liturgy “should facilitate the community’s awareness of its biblical foundations, the Christian historical trajectory, a consciousness of its cultural unity, and attentiveness to the transformative…

March 27, 2014

Lord of the Lake

Stepan Trofimovich, the vain Francophone liberal in Dostoevsky’s Demons , claims to know the gospels well from reading Renan, but in fact hasn’t read the Bible itself in a long time. During an illness, he comes to see himself as the liar he is and asks Sophia to read the…

March 27, 2014

Do Guard Duty

Jesus comes like a thief to the unsuspecting, the sleepy (Revelation 3:3). That doesn’t simply mean that His coming is a surprise. It means that He comes to take. That’s what thieves do. To prevent this, the angel of the church at Sardis has to “keep” ( tereo ) or…

March 26, 2014

Dostoevsky, Kierkegaard, and the Outsider

George Pattison’s closing essay in Dostoevsky and the Christian Tradition explores the similarities between Kierkegaard and Dostoevsky. It’s been common to read both as “prophets revealing to `modern man’ the abyssal freedom, the wild frontiers and the midnight cries that threaten both the rational system-building of philosophers and social engineers…

March 26, 2014

Sermon in a Tavern

In her contribution to Dostoevsky and the Christian Tradition , Diane Thompson offers a brilliant analysis of Marmeladov’s speech to Raskolnikov at the beginning of Crime and Punishment . Everything he says is seasoned with grandiloquent references to the gospels, and especially to the Passion and last judgment narratives. He…

March 26, 2014

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