Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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Christopher Warner argues in The Augustinian Epic that Renaissance epic and medieval exegesis share two crucial features. First, both share an interest in history, but one that aims to peer behind the veil of fact into the allegorical meaning of facts. Petrarch’s epic of the Second Punic War and Tasso’s…
At the beginning of Revelation, the Spirit speaks to the seven churches. At the end, the voice of the bride and the voice of the Spirit become one, speaking a single wish: Come, Lord Jesus. By suffering with the Bridegroom, the bride learns His dialect. She becomes attuned to His…
Dennis Pardee’s Ritual and Cult at Ugarit collects texts that are relevant to Ugaritic cult, especially sacrificial cult. He ends the book with a helpful survey of the similarities and differences between Ugarit and the Bible. One of the differences has to do with the use of blood. “The blood…
The Lego movie has a cutting-edge social message, writes Ben Walters in The Guardian : “The film’s exuberant, kid-friendly larks – Wild West! Robot pirates! Unicorn kittens! Batman! – are laced with satirical digs at surveillance culture, built-in obsolescence and police brutality, as well as inane positive thinking. Its opening…
Gary Shteyngart writes in The Russian Debutante’s Handbook (2007): “A knowledgeable Russian lazing around in the grass, sniffing clover and munching on boysenberries, expects that at any minute the forces of history will drop by and discretely kick him in the ass. “A knowledgeable Jew in a similar position expects…
Sean McDonough’s YHWH at Patmos (1999) is a 250+ page book about a single verse, Revelation 1:4. Really, only one phrase of that verse: “He who is and who was and who is coming.” McDonough traces the pre-history of the phrase to the name Yahweh. More surprisingly, he finds precedent…
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