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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Hand to Hand to Mouth

A “mighty angel” descends from heaven holding an open book (Revelation 10:1). I agree with Richard Bauckham’s argument ( Climax of Prophecy: Studies on the Book of Revelation ) that this is the same as the book opened by the Lamb. When the book first appears, it is on the…

October 19, 2012

Trinity Institute: R. R. Reno says

Peter Leithart and James Jordan are among America’s most penetrating Christian preachers and teachers, at once rigorously biblical and richly catholic. Their ambitious vision of the Lordship of Christ gives a vital role to the liturgical worship, helping us to see that the church is the New Israel, a nation…

October 18, 2012

Yahweh’s image

Ancient temples were houses for the gods, represented by images. That is what Isaiah is talking about when he describes idolaters carrying their gold images, setting them in place, standing them up, and bowing to them (46:5-7). Yahweh too brings something to His House. Isaiah 46:13 pictures Yahweh as a…

October 18, 2012

Speech Formed

In Isaiah 46:11, Yahweh announces that He is bringing a bird of prey from the east to do all his counsel and pleasure. It is a “man,” a reference back to Cyrus, the Shepherd who does all Yahweh’s pleasure (44:28). This is proof of the kind of God Yahweh is,…

October 18, 2012
Theology

God who delivers

Isaiah describes the Babylonian planet gods Bel (Jupiter) and Nebo (Nabu, Mercury) at the beginning of chapter 46. They are weary, bowed and stooped in defeat and fatigue. Their images are being carried on carts because they are incapable of bearing them themselves. The could not deliver ( malat )…

October 18, 2012
Literature

Dante without Beatrice

In her TNR review of Andrew Frisardi’s translation of Dante’s Vita Nova , Helen Vendler observes that Dante’s autobiographical cycle of prose and poems was not published until 1576, “almost three hundred years after its composition.” How was the Comedy understood in its absence? Beatrice appears in the Comedy of…

October 18, 2012

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