Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Interwoven within Leviticus’ opening offerings is a redemptive storyline meant to be rehearsed. Each offering makes a particular contribution to the retelling of the Exodus deliverance. Like learning a dance, Israel’s opening rituals recount their steps from Egypt to Sinai in a fashion meant to perpetually imprint its experience on…
In Capernaum, the leaders of Israel questioned Jesus in their hearts. Beside the sea, they questioned his disciples about their rabbi’s practices. They challenged Jesus in the grain fields, sought to trap him in the synagogue, tried to seize him, thinking he was mad, and accused him of being possessed.…
An essay on ministry taken from recent notes for a ‘solemn charge’ I gave our pastoral team (together with their spouses) at All Saints Honolulu, a church-plant that enters its fifth year. I. After receiving the sword of Goliath from Ahimelech at Nob, and after fleeing first to and then…
When thinking about the book of Genesis, we often think of beginnings, the beginning of the world, humanity, the elect people of God. The word “genesis” itself means beginning. Genesis is also known as the book of promises. Genesis contains three of the major Old Testament covenants: Adamic, Noahic and…
A Theological and Typological Commentary on Luke 24:4 In Luke 24:4, we are told that as the women arrived at the tomb on Easter morning, they encountered “two men in dazzling apparel” standing beside them. This description, on its own, may not immediately provoke questions. The traditional interpretation identifies these…
For Part 1, click HERE . The four Gospel accounts give us their strange and wonderful historical accounts of the resurrection of Jesus. The rest of the New Testament, either explicitly or by suggestion, refers to the resurrection in every book except 3 John. Unlike the Gospel accounts, however, most…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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