Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Infantilised: How Our Culture Killed Adulthood (2024), Keith Hayward says that we live in a “therapy culture.” This is “a way of thinking” about upbringing and education “when the values and language of counseling and psychotherapy break out from the clinical setting and take hold within the cultural imagination…
In Genesis 20:13, Abraham reveals that when he and his wife left their father’s house, he asked Sarah to call him her brother, not her husband. Abraham looked ahead to the land before them, a land full of violence, and he didn’t trust men there. He believed they would see…
Introduction I am sitting in a rural village in the northern part of a West African country. I’m in the courtyard of an imam. Two other Christians are with me. It’s hot and dusty, but we have come to read Scripture and talk together. As a local Christian takes the…
This is the wey to al good aventure; Be glad, thou reder, and thy sorwe of-caste -Geoffrey Chaucer, The Parlement of Foulys, 131–132 In January I had the honor and delight of speaking at the Church of the Redeemer’s 2025 Christendom Lectures. What follows are drawn from the notes for…
I had often heard that wisdom is visible in the countenance and I thought that I had seen examples of it in the past. But the man who stood before me, loosely holding the reins of the mare and peering around him with sharp interest, gave no outward hint of…
And no wonder, for even Satan disguises himself as an angel of light — 1 Corinthians 11:14 In Revelation 5:2, the first of three “Mighty Angels” appears before the throne of God and preaches in a great voice, asking, “Who is worthy to open the book, and to loose the…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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