Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I mentioned last month ( BH 82) in my essay "Like a Dove" that Genesis 8 is a recapitulation of Genesis 1. Let me explicate that assertion here. Of course, the world after the Flood is a new creation, so we may expect a recapitulation of the first creation. It…
The book of Esther is one of the most neglected of the books of the Bible. To be sure, sermons are preached on it, and commentaries have occasionally been written on it, but almost without exception Esther has been interpreted in isolation from the rest of Biblical history, chronology, and…
Dear Mr. ______, . . . Here is how I look at the geocentricity question. Since I don’t recall what I wrote you before, I may be repeating some things. 1. The Bible does not teach it. Biblical passages used to support the idea are being misinterpreted. My original paper…
Answer 4 of the Westminster Shorter Catechism is often taken as a magnificent answer to the question, "What is God?" It reads: "God is a Spirit, infinite, eternal, and unchangeable in his being, wisdom, power, holiness, justice, goodness, and truth." Presbyterians are fond of praising this statement, preaching on it,…
The gospels tell us that at Jesus’ baptism, the Holy Spirit descended upon Him "in bodily form like a dove" (Luke 3:22 & parallels). Biblically sensitive commentators have associated this event with three Old Testament parallels: (1) the hovering of the Spirit over the creation in Genesis 1:2; (2) the…
This they said to test him, that they might have some charge to bring against him. Jesus bent down and wrote with his finger on the ground. (John 8:6) The story of the woman taken in adultery (John 7:53-8:11) has been part of the canonical Christian Bible from its earliest…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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