Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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1) There are repeated verbal links between the opening of 1 Kings 17 and the opening of chapter 18. The word of Yahweh comes to Elijah, telling him to ?go?E(17:2; 18:1). In both chapters, the word ?cut off?Eis used (the brook ?Cherith?E Jezebel?s ?cutting off?Eof prophets; the ?cutting off?Eof cattle).…
INTRODUCTION Elijah is a new Moses, and like Moses he confronts the ?Pharaoh?EAhab and his hundreds of ?magicians.?EBy his victory in this context, Yahweh not only humiliates the gods of the Canaanites, and the Israelites who act like Canaanites. He also calls and leads Israel to repentance (vv. 39-40). This…
David Hart describes the work of theology, as opposed to the work of metaphysics, as follows: “Theology is not an art that abstracts from history toward eternity, from facts toward principles, but one that - under the pressure of the history it is called upon to interpret - finds the…
Umberto Eco, ed. History of Beauty . Translated by Alastair McEwen. New York: Rizzoli, 2004. 438pp. Bursting with splashy reproductions of art work from the ancient Greeks to the present, Eco’s History of Beauty could pass for a survey of Western art. Eco’s purpose, however, is broader; he intends a…
From the anonymous 8th-century Liber Monstrorum , we learn about the following: Astomori: “The accounts of the Greeks say that there are also men devoid of a mouth, unlike all the others, and thus they allegedly cannot eat anything: according to the sources, moreover, they stay alive only by breathing…
Alain de Botton, Status Anxiety . New York: Pantheon, 2004. 306pp. “Every adult life,” Alain de Botton argues, “could be said to be defined by two great love stories.” The first is the romantic quest for sexual love and companionship, and it is the subject of innumerable poems, stories, and…
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