Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Christian tradition has always had an uneasy relationship with the materiality of creation. Dirt, liquid, sex, blood, and bodies—the world and the flesh stand in company with the Devil as two of the three great enemies of the saints. Mundus, caro, et diabolus , as the old Latin saying…
Since the destruction of Jerusalem was an event of earth-shattering covenantal significance, what might be the meaning of the subsequent tragic events at the desert fortress of Masada? In Hebrew, the name Masada means “strong foundation or support,” from a root meaning “to hunt, lie in wait for prey.” Located…
Take a long look at the photo above. To whom is this woman praying? It is hard to tell, isn’t it? Suppose we watch her for a while. We may see her bow low to the floor. Her lips may move, though perhaps it is too low for us to…
Psalm 137 is widely regarded as one of the meanest of the imprecatory psalms. Certainly as we read it it is seems to be a song of pure vengeance. The exiles in Babylon, in grief over the judgment that Babylon has brought upon them, pray for the destruction of that…
Forty men and women came from all over the United States to attend the 2018 Trinity Term course at Theopolis. Pastors, students, teachers, an electrician, a city planner, and others from a variety of denominations spent five days at Beeson Divinity School studying covenant epistemology under the tutelage of philosopher…
Matthew records that Jesus "withdrew" to Galilee to begin His public ministry there after He "heard that John had been delivered up" (Mt. 4:12). Matthew’s typically matter-of-fact style veils the truly remarkable character of Jesus’ withdrawal. Matthew has been presenting Jesus as the Messiah, the Seed of Abraham and Son…
Showing page 88 of 309
Showing page 14 of 43
Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
Showing page 2141 of 2212
Your weekly digest for all things Theopolis.
