Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Now faith is the substance of things hoped for, the evidence of things not seen (Hebrews 11:1). The famous definition of faith with which the eleventh chapter of Hebrews opens has received a number of different interpretations. The crux of the problem is the interpretation of the words translated in…
This essay is an exploration of one element of the final of the four Gospels, the Gospel of John. My thesis is that the Gospel of John answers the issue of "friendship" being a homoerotic category. It challenges the "Greek Way of Love and Friendship" 1 It is indeed the…
"And I also way to you that you are Peter, and upon this rock I will build My church; and the gates of Hades shall not overpower it" (Matthew 16:18). Matthew 16:13ff. has historically been one of the most oft-cited passages of Scripture. Throughout the Middle Ages, it was used…
Matthew 8-9 records three clusters of miracles, interspersed with snatches of Jesus’ teaching about various aspects of discipleship. Just as the Sermon on the Mount displays the authority of Jesus’ Word in teaching, these chapters display the authority of Jesus’ Word over sickness, uncleanness, the creation, demons, and death. In…
The association of women and wells in the Scriptures has long been noted by theologians, a symbolism closely connected to marriage which begins in Genesis and climaxes in Revelation. There is a lesson drawn in the water of wells that I’d like to explore, but before that I must trace…
Of course, since the Israelites had agriculture, Solomon was not paleolithic as that term is used today. But "paleo" is simply a prefix meaning old or previous , the opposite of "neo." In that sense, I wonder if we might understand Solomon better if we interpret his statements and riddles…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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