Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
So God created man in His own image, in the image of God He created him; male and female He created them. Genesis 1:27 In an ever-increasing barrage of self-obsession and tailor-made realities, how does the Christian navigate the waters of being someone who experiences life in the first person…
American church music is in a slump. To get out of the slump, we need a 10-year plan, a 50-year plan, and a 100-year plan. Many are doing extraordinary work on reforming church music in the near-term, and a few in the mid-term. What is desperately needed is the 100-year…
The following is an excerpt from The Maker Versus the Takers: What Jesus Really Said About Social Justice and Economics ¸ by Jerry Bowyer (New York, Fidelis Books, Post Hill Press, 2020), release date Sept. 15 th . The section below argues that the ‘Rich Man’ in the parable refers…
Could Absalom be a Christ-type? If you know much about the Bible, you likely have an immediate aversion to even the possibility of answering this question in the affirmative. Absalom was third among David’s sons, while Amnon—his brother from another mother—was first (2 Sam. 3:2-3). As Absalom’s story begins, it…
All four Gospels not only associate Barabbas and Jesus quite unabashedly, they do so emphatically and with a deep theological message. The scene is well-known. In His trial before Pontius Pilate, though Jesus had been declared innocent more than once, there seemed to be no hope of releasing Him. Pilate…
The Theopolis Institute is pleased to announce the second round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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