Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There is no question about the fact that the book of Deuteronomy is full of literary allusion. But there is a serious problem, even a paradox, of understanding how that allusion works. To begin with, if we assume that Deuteronomy was written by Moses — with some editorial emendations added…
Genesis and Genetics in Blade Runner 2049 The power of science fiction, and what’s positive about it, is that you’re able to experience the worst-case scenario without actually having to live it. (Actor Ryan Gosling, who plays Officer “K”) (Warning: The following analysis contains spoilers for both Blade Runner films.)…
The battle of Gog and Magog is found in Ezekiel 38-39. My purpose in this brief essay is to propound an explanation for this passage that I have not encountered in any of my commentaries, but that makes more sense to me than any other. I offer it here in…
I. Varlam Shalamov in Kolyma Tales describes his experience of the Gulag, where he spent more than a dozen of years. In a story titled The Life of Engineer Kipreev Shalamov reflects on the theme of hope in the life of a prisoner: “Hope always shackles the convict. Hope is…
Genesis 14:14 says that Abram mustered his trained men, “born in his house,” to rescue Lot, and gives their number as 318. It is clear that the precise number is provided for some reason, but what is it? S. Gevirtz notes that 318 is the sum of all the prime…
And he said to me, "What do you see?" And I answered, "I see a flying scroll; its length is twenty cubits and its width ten cubits" (Zechariah 5:2). Immediately following his vision of the outpouring of the Spirit upon the restoration community (4:1-14), Zechariah saw a flying scroll. The…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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