Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Cornelius Van Til offered a revolutionary exposition of the Christian worldview through the lens of Reformed theology. He argued and, I believe demonstrated, that Biblical metaphysics, epistemology, and ethics mutually presuppose and include one another. Every ethical statement of the Bible — commands about righteousness — presuppose the existence and…
In the introductory portion of Deuteronomy, Moses’ last sermons to the people of Israel — people that he regarded as his own beloved children — there is a statement that may seem paradoxical to a modern reader. It invites questions and maybe even creates problems in our understanding. Here are…
In his discussion of the biblical type scene, Robert Alter speaks of the “patterns of repetition, symmetry, [and] contrast” which characterize the narratives of Scripture, patterns that give pleasure to the reader while also building up a web of meaningful connections between texts. 1 But if readers are to notice…
In 1 Timothy 2, Paul writes: “I do not permit a woman to teach or to have authority over a man, but to be in silence. For Adam was formed first, then Eve. And Adam was not deceived, but the woman being deceived, fell into transgression” (1 Timothy 2:12-14). This…
Blessed are the meek: for they shall inherit the earth. Matthew 5:5 When the above verse is read during a Lord’s Day service, no doubt, every extrovert in the room thinks to himself, “Well, that rules out me.” After all, the meek folks in the room are the ones you…
The flames of the altar tell a mysterious story beyond mere atonement. The altar was a place of union, glory, worship, love and forgiveness, laughter and tears, renewal and hope. The altar is where Israel would feast with God, sacrifice to God, worship God, confess, and receive forgiveness from God.…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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