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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Proverbs 12:8-14

INTRODUCTION This section of Proverbs focuses on issues of image, wealth, work, and treatment of employees (vv. 8-12), and ends with two verses that deal again with the use of the tongue (vv. 13-14). The final verses connect this section to the preceding section of this chapter (12:1-7). Thus, the…

January 6, 2006
Literature

Hamlet in Prufrock

The influence of Hamlet, the play and the character, on modern literature is vast. Consider Hamlet as model for Prufrock: Zulfikar Ghose says the “I am not Hamlet” in Eliot’s Prufrock may be literal or ironic, but then adds: “the more one ponders the language of ‘Prufrock’ and of Hamlet…

January 5, 2006
Literature

Pierre

Herman Melville’s Pierre (1852) was, to put it mildly, not warmly received by critics. One newspaper headlined its review with “HERMAN MELVILLE CRAZY” and another reviewer complained that Melville’s fancy was diseased. Critics are divided over whether it is a grand failure or simply a failure. Updike caught the tone…

January 5, 2006

Schleiermacher

Bauman distinguishes between the “legislative” notion of reason found in Kant and other Enlightenment figures and the “interpretive” rationality that characterizes much postmodern thought. The shift from the former to the latter was not accomplished all at once. Schleiermacher, for all importance in the rise of hermeneutics, was still aiming…

January 5, 2006
Philosophy

Foundations and Tribunals

The architectural model of building a structure of thought on “foundations” is among the metaphors employed by modern thinkers, and in this as in other areas there was a close alliance of philosophy and political action. Bauman notes that this was particularly evident in various utopian writers of the modern…

January 5, 2006
History

Postmodern critique, postmodern re-enchantment

“Postmodernity,” writes Zygmunt Bauman in his 1992 Intimations of Postmodernity , “means many different things to many different people. It may mean a building that arrogantly flaunts the ‘orders’ prescribing what fits what and what should be kept strictly out to preserve the functional logic of steel, glass and concrete.…

January 5, 2006

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