Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Theopolis is delighted to announce that we have hired Brian Moats as Assistant to President Peter Leithart. An Alabama native and graduate of Boyce College in Louisville, Brian is a professional photographer who has also worked as a salesman and dispatcher for Charter Communications and Wayne's Environmental Services. Brian and…
Over the last few years, I have had frequent cause to return to the question of the ways in which the past and its forms of liturgy should be handled within the Church today. Keeping faith with the past is seldom as straightforward an endeavour as it might initially appear,…
The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…
Prior to attending the week-long intensive course on Holistic Mission, my wife and I were living two counties away from Milwaukee, in the comfortably quiet and rural village of Slinger, Wisconsin. In God’s providence, after nearly ten years of living in Slinger, we realized some changes to our comfortable and…
I have many Roman Catholic friends. Leading from my time at Saint Louis University and continuing through various scholarly engagements I often get an opportunity to discuss history and theology with Roman Catholics who are very well educated in their tradition and practice, some of whom are leading scholars in…
Theopolis ended its second year of operation with its Pentecost Term course on Music in Life and Liturgy last week. Co-taught by Ken Myers of Mars Hill Audio and scholar-in-residence James Jordan, the Music course was the largest Theopolis course yet. Sixteen pastors, seminary students, and music ministers from nine…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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