Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In our first essay in this series ( part 1 ), we saw that Proverbs 30 opens with a puzzle, a cryptic sentence that challenges the reader to search out a matter in order to gain understanding. "It is the glory of God to conceal a matter, but the glory…
The story of Hezekiah’s illness and recovery is familiar to every child who has attended Sunday School. Informed that he would die, faithful King Hezekiah pleaded in tears for a longer life. God heard his prayers and saw his tears, and promised fifteen more years. As a sign that He…
1. The Blessed Hope "Looking for the blessed hope and the appearing of the glory of our great God and Savior, Christ Jesus." Titus 2:13 I was recently asked how I as a postmillennialist would preach on "The Blessed Hope." This is often a sticky question, because postmillennialists believe that…
1. Jeroboam and Ahab After Solomon died, the people came to his son, King Rehoboam, and asked for tax relief. Rehoboam refused to give it, and indeed told the people that he was going to tax them even more severely than his father had. At that point, with the blessing…
One aspect of truth is unity. It was Truth Incarnate who prayed for the unity of His people in John 17, which certainly makes unity a priority for them as well. In one sense, we know by faith that the Church is always invisibly unified in Christ, but there is…
Mr. Paul Miller of Vancouver writes that he is not persuaded by my remarks on Luke 4 on " The Son of Joseph ." He calls attention to Mark 6:1-6, where Jesus came "to His own part of the country," taught in the synagogue, and astonished many. The people said,…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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