Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
It seems to be old news, but I was unaware of it until recently. Australian academics argued that mothers should be allowed to terminate the life of a newborn child. [i] Why would they promote such an idea? Because before the child is born it is not always possible to…
This is the second of two essays introducing Pascal’s Wager. Click HERE for Part 1. In “The Pop Star and the Mathematician” I gave an overview of the apologetic approach commonly called Pascal’s Wager. In that Wager, 17 th -century French mathematician Blaise Pascal argued that the choice between Christian…
This is the first of two essays aiming to introduce the reader to Pascal’s Wager. The second will address criticisms of the Wager. In the early 1990s, a perennially popular British pop star was interviewed on British television about his very public evangelical Christian faith. “What if,” the reporter asked…
Matthew 13 is about secrets. In this chapter, Jesus teaches eight parables and tells the disciples that they reveal the secrets of the kingdom (13:11). And much like Samson who both tells riddles and is himself a riddle that the reader must solve, so Jesus not only tells secrets but…
Click HERE for part One. THE TEXT AS TABERNACLE Creation – Initiation – Genesis (1 Samuel 17:1-11) The gathered armies not only remind the reader of Ebal and Gerizim, but also of the very reason that Israel was established (Creation) , set apart from the other nations by the circumcision…
What to do with Job’s Final “Friend,” Elihu Elihu is a strange character, at least in the sense of how and where he appears in the book of Job. Why does he not appear with the other three “friends?” Does his argument differ from any of the first three who…
Showing page 75 of 309
Showing page 20 of 43
Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
Showing page 2141 of 2212
Your weekly digest for all things Theopolis.
