Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Theophanic revelation is historically progressive, or eschatological, in character. First of all, in Genesis 1:2, the Spirit appeared inside the creation, sent by the Father. After the creation of man, the Spirit worked and works with humanity to bring us to maturity, from Daughter to Bride to fruitful Mother. He…
On the eighth day of the rite of "filling the hand," Aaron began his service at the altar. His first offering was a "calf" (Heb. `egel ), which served as a purification offering for himself and (apparently) his household (Leviticus 9:2, 8). This is striking for a couple of reasons.…
One of the distinctive items of the high priest’s clothing was the "golden plate" inscribed with the words "Holy to Yahweh" (Exodus 28:36-38). The word translated as "plate" is tsits , which literally means "flower." The verbal and noun forms are both used in Numbers 17:8, which describes Aaron’s rod…
The square, rectangle, and cross shapes appear all over the sanctuaries God reveals in the Bible: Tabernacle, Solomon’s Temple, Ezekiel’s Temple, New Jerusalem. One thing that can be said right away about these designs, and the occasional perfect circle (the lavers), is that they do not occur in nature. They…
"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…
Citing Melchizedek in Genesis 14:18-20, James Jordan has written that "the name of God in use among the nations was God Most High’" (Hebrew, `el `elyon ; in Through New Eyes , p. 176). In addition to Melchizedek, one could cite the example of Balaam, who invokes the Lord both…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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