Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Russian Orthodox liturgist Alexander Schmemann died in 1983, but his importance continues to grow, sometimes in surprising ways. A Russian transplanted to Paris and then to Crestwood, New York, he was an acute observer of the American religious scene. He possessed the clarity of vision the Spirit often grants to…
This is the fifth in a series of studies of Deuteronomy 22:3-23:8. "A bastard ( mazmer ) shall not enter into the assembly of Yahweh; even to the tenth generation shall none of his enter into the assembly of Yahweh" (Deuteronomy 23:2). [i] The translation “bastard” here for mazmer ,…
The Enlightenment project is very comprehensible in terms of the “Wars of Religion” that followed the Reformation. It's questionable whether all that is said about the Wars of Religion is entirely fair (R. J. Rushdoony’s Christian Survey of World History has some very helpful things to say about this). Still,…
The fourth in a series of studies on Deuteronomy 22:30-23:8. One wounded by crushing, or cut in the member shall not enter into the assembly of Yahweh (Deuteronomy 23:1. [i] The translation of this verse varies in different English versions. The basic idea is clear enough, however: a eunuch is…
Trinity House President Peter Leithart will give a lecture on violence at the 2013 Wheaton Theology Conference later this week.
The third in a series of studies on Deuteronomy 22-23. This continues the second essay, which examines Deuteronomy 22:30: "A man shall not take his father’s wife, and shall not uncover his father’s wing" (Hebrew: kanaf ). The Sin of Ham Another story would almost certainly occur to an ancient…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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