Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
God is a righteous judge, And a God who has indignation every day. If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready (Psalm 7.11, 12). David’s inspired lyrics do not sound very encouraging to modern ears–especially to modern Christian…
The story of the Good Samaritan (Lk. 10:25-37) is one of the best known and most loved of Jesus’ parables. I am not going to attempt to exegete the passage, as that has been done admirably and ably by others. Rather, I want to briefly examine what bearing the passage…
In Romans 2.6-16, Paul writes, He will render to each one according to his works: to those who by patience in well-doing seek for glory and honor and immortality, he will give eternal life; but for those who are self-seeking and do not obey the truth, but obey unrighteousness, there…
It was still dark as David approached the crest of the little ridge. The eastern horizon was not even gray. It was early. But he knew this trail well. Every morning before dawn and every evening before dark, he would walk down to the well and carry water back to…
The theme of Romans is the righteousness of God (Rom. 1:16-17). That is to say, Romans is something of a theodicy. Paul is defending God’s covenant faithfulness, particularly in light of Jewish unfaithfulness. How does it work? Without getting into exegetical details, we can still sketch out the big picture.…
The New Perspective on Paul (NPP) is a loosely defined movement held together primarily by a common understanding of Second Temple Judaism. All NPP theologians basically adhere, with varying degrees of intensity and consistency, to Ed Sanders’ claims with regard to the nature of pre-70 A.D. Judaism. Sanders has sought…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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