Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Suffer little children, and forbid them not, to come unto Me. In 2005, God blessed our family with our third child, our second daughter, whom we named Bethany. As soon as Bethany was born, we knew there was something different about her. Unlike her two older siblings, who were born…
Christian, what is it that we believe? While Creeds like the Nicene and Apostle’s have been fundamental pieces of Christian liturgy and life, the American Church is highly unattached to these classic statements. From this creedal phobia has arisen the popular “No Creed, but Christ” slogan. Such slogan, of course,…
Revisiting William Cavanaugh’s devastating 2009 The Myth of Religious Violence . The myth of Cavanaugh’s title is a well-known one. According to the myth, religion is a distinct sphere of human life and practice from the rest of human social life, a universal impulse in human beings, and is dogmatic,…
19 Then the same day at evening, being the first day of the week, when the doors were shut where the disciples were assembled for fear of the Jews, came Jesus and stood in the midst, and saith unto them, Peace be unto you. 20 And when he had so…
An octave is a repetition, a repetition with a difference. It’s not the first note played again , but the first note played at a higher pitch. Octaves have always marked new beginnings. Hebrew boys were circumcised on the eighth day. Firstborn sheep were dedicated to Yahweh on the eighth…
We say Jesus’ resurrection is good news. It wasn’t good news for the disciples on the first Easter. More like perplexing, bewildering news. For others, it wasn’t perplexing, and it certainly wasn’t good. It was plain old bad news. Early in Luke’s gospel, Herod is terrified that Jesus might be…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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