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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Revelation

Benediction

After the identification of the recipients of his letter at the beginning of Revelation, John gives a benediction that resembles the benedictions of the Pauline letters. He pronounces grace/favor and peace, grace and favor that lead to peace, grace that leads to fullness and harmony that is the biblical definition…

by Peter LeithartOctober 2, 2013
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Symbolism

Hand to Hand

Throughout the latter half of 1-2 Samuel, Saul and David are locked in hand-to-hand combat. It seems an unequal contest. All the heavy artillery is on Saul's side. To understand the full scope of the conflict, we need to back up to the beginning of the book. Prior to Saul's…

by Peter LeithartSeptember 30, 2013
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Theopolis News

Borderland

Last week, I lectured at Ostrog Academy in Ostrog, Ukraine, and at a pastors' conference in Kyiv. The latter was co-sponsored by Trinity House and the Alliance of Reformed Churches in Ukraine. I offer my impressions of Ukraine this morning at Firstthings.com .

by Peter LeithartSeptember 27, 2013
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Media

Pascal and the iPod

Why do I bristle when I see someone with white wires hanging from his ears, flipping through what must be a million songs downloaded onto his iPod? No doubt, it’s the threat of the new. I've only recently begun carrying a cell phone, and now I hear tell of compact…

by Peter LeithartSeptember 25, 2013
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Isaiah

Where God Lives

Judah is in terrible shape (Isaiah 57). Yahweh told Israel to worship Him only at the temple, but the people worship on every hill and under every green and leafy tree. He commanded them to worship Him alone, but they are devoted to many gods. Worshipers set up their beds…

by Peter LeithartSeptember 23, 2013
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Hermeneutics

Everything Concerning Himself, (Part 2)

Like any great writer, the Lord foreshadows late happenings in early happenings. Like many greater writers, the Lord ends where he begins, returning to a glorified Edenic city-sanctuary at the end of his cosmic story. The Lord writes with history, real people and events, not merely with words. But His…

by Peter LeithartSeptember 18, 2013

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Literature

Ibsen

Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…

January 7, 2004
Literature

More Quotations from Steiner

Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…

January 7, 2004
Theology

NT Wright’s Rutherford House Lecture

Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…

January 7, 2004
Theology

NT Wright’s Rutherford House Lecture

Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…

January 7, 2004
Literature

European Drama

Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…

January 6, 2004
Literature

Shakespearean Difference

George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…

January 6, 2004

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