Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If we say that we have no sin, we deceive ourselves, and the truth is not in us. (1 John 1:8) O God the Father, creator of heaven and earth, Alpha and Omega, beginning and end, who inspired Creation with the breath of your nostrils, who placed Adam in the…
For nearly a half-century, Sodom has been a key symbol in the American culture wars. On the one side, we have an aggressive movement among homosexuals that has first decriminalized homosexual conduct, then to force cultural and legal recognition of homosexuals as a minority and to normalize homosexual behaviors, finally…
Speaking of the Church, Romans 11:16-17 says, "And if the root be holy, the branches are also. But if some of the branches were broken off, and you, being a wild olive were grafted in among them and became partaker with them of the root of the fatness of the…
At the end of Isaiah 61, Yahweh's Servant rejoices because the Lord clothes Him with salvation and righteousness. He decks Him like a bridegroom with a garland on His head. He wears jewels like a bride. He is a new bridegroom in a new garden of Eden, a garden of…
Before anything else, a word about “Torah” may be in order. I have been persuaded that “law” is a bad translation of “Torah,” even though it is evident that what is called “Torah” does have commandments, statutes, and ordinances in abundance. Why not “law?” “Law” as a translation for “Torah”…
Few novelists seem as innocent of the temptation to punditry as Jane Austen. Though living through a period that witnessed the birth of an independent United States, the French Revolution and the Terror, the Napoleonic wars and the rise of revolutionary romanticism, and the upheavals of the Industrial Revolution, she…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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