Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If you’re a preacher looking for good commentaries on Ezra, you’ll struggle. Certainly to find ones that wrestle in good detail with the text. And certainly ones that don’t cost you an arm and a leg. There’s a good bit more for Nehemiah, which is odd, as the two are…
Quick thought experiment: try to pretend you’ve never read 1 John before. Read 1:1-6. Go ahead; I’ll wait. Now, on to v. 7: “But if we walk in the light as He is in the light, we have fellowship with ______….” What word would you expect in that blank, based…
In my work as a Bible translator, I was recently checking our translation team’s draft of Genesis 8:8, which says of Noah (translating the Hebrew quite literally): And he sent out the dove from with him to see: had the waters lessened from upon the face of the ground? Part…
Just in case a reader may not know Weinberg, he is a theoretical physicist and the winner of the Nobel prize in physics in 1979, as well as countless other prizes for his research. He is also a prolific, lucid, and captivating writer. If you want to read something on…
Colossians 1:15-20 is a famous passage in Paul’s epistles because it is a succinct and powerful poem. It appears even to have been a hymn. Given the uniquely Pauline language — “reconciliation” is a term used only by Paul — it should not seem odd to attribute the poem/hymn to…
Stalker (1979) is a film by Andrei Tarkovsky based on Roadside Picnic by the Strugatsky brothers. It shows a day from the life of a stalker, a man who enters the so-called "Zone", an Alien landing site, where he leads people to a room that grants people’s innermost desires, which…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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