Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I have never heard anyone say that the Bible is impractical, but I have heard people, after an in depth exegesis of a passage, ask for the practical application. Offer a class on childrearing, marriage, finance and the church members flock to it; offer a course on Leviticus, the visions…
Stones External and Internal The modern practice of dismantling the Bible into a shambles of documents authored in response to disparate historical events rather than viewing it as a unified testimony inspired by God is a surefire way to miss what is actually going on in the text. This failure…
King Asa of Judah made a strong start, purging the land of idols, altars, and images, and winning a war against the ginormous Cushite army led by Zerach. It all unraveled in his final years. From his thirty-fifth year to the forty-first year, when his reign came to an end,…
What appears to be Paul’s first recorded statement on justification comes in Acts 13, in a sermon at Pisidian Antioch. It's can serve as a summary of Paul's letter to the Romans, and throws some important light on the themes of that letter. Paul begins his sermon with a quick…
Iago as Tempter The answer to our first question — whether or not Othello is really great tragedy — has already pointed the way to the answer for the second question — Was Othello a noble Moor or a fool? The two questions, of course, are necessarily related. The fall…
When Adam McIntosh was ordained as Pastor of Saint David’s Church (CREC) in Houston on June 11, 2017, it was the culmination of decades of preparation. Adam is the product of two continents and three Christian traditions. Born in Paducah, Kentucky, he lived his early years partly in Jericho, where…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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