Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary : The Bible is a multi-faceted text. As a result, it can fruitfully be analyzed in many ways. Pace, context, flow, imagery: all of these aspects of the Biblical text are significant and instructive. Here, by way of illustration, I analyze Gen. 38 in a range of different ways,…
Summary: The Bible is a multi-faceted text. As a result, it can fruitfully be analysed in many ways. Pace, context, flow, imagery: all of these aspects of the Biblical text are significant and instructive. Here, by way of illustration, I analyse Gen. 38 in a range of different ways, and…
The closing chapters of the Bible bring to fulfillment the mission inaugurated in the opening chapters of the Bible: the dwelling place of God expands to fill the entire new creation. The story of Scripture concludes having achieved God’s original intent for His people in the Garden of Eden, and…
Oddly, the nature of pre -modern economies plays a central role in today’s policy debate over economic globalization and neo-liberalism. Analysts take ancient non-market economies as the standard against which to measure the economic and social effects of the market system. Scholars compare the distribution of economic goods and services…
In part one of this essay, I mentioned that the story of Zacchaeus includes not only many details that point to other passages in Luke, but also details that point to the Old Testament, though we might not initially think of them. The first detail I have in mind is…
The story of Zacchaeus includes numerous interesting details that link this story with others in the Gospel of Luke. There are also details that tie the story of Zacchaeus to the Old Testament in ways that we might not initially take note of. In the Gospel of Luke, the story…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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