Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…
Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…
Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…
“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…
“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…
On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…
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Biblical writers often use "text painting": the form of the text portrays the topic of the text. The first half of the flood narrative describes the rising waters, steadily raising the ark toward heaven. The second half describes the descending waters. At the center: "Yahweh remembered Noah" (Genesis 8:1). Rise,…
A response to Jordan Ballor’s review of my Creator , which was published at Acton.org on August 12. 1. Ballor says that, to avoid pantheism or panentheism, God’s identity as creator must be “relative, secondary, or conditional.” He rightly says that I argue the opposite: “God is Creator” is the…
Jonathan Edwards didn’t think the world is a machine. At the heart of the mechanistic interpretation of Newtonian physics, he discerned, was the notion that “bodies” are (in Robert Jenson’s words) “the sort of thing that either can or cannot act ‘properly by themselves.’” The mechanistic world picture involved an…
Joshua Jipp argues that Paul's Areopagus address contains both critique and propaganda, critique of Athenian superstition, lust for novelty, and idolatry, and propaganda in favor of Christian faith as a more consistent fulfillment of the aspirations of Hellenistic philosophical theology. Much of the critique, Jipp shows, is drawn from Isaiah's…
Cobbling together some notes for a lecture series, I was reminded of Seamus Heaney's little poem, " Anahorish ." The Gaelic name means “place of clear water,” as the first line indicates, and the etymology suggests a place of purity and innocence. Anahorish was near Heaney’s childhood home in County…
In an article in the Harvard Law Review from the early 1980s, Robert cover explores the relation of legal structure and narrative. His analysis has wide-ranging legal, political, and even theological import. Cover states the thesis early: We live in “normative universes,” social worlds that distinguish between right and wrong,…
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