Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…
For many young people with safe and easy lives, the most heartfelt prayers often concern relationships with the opposite sex. I used to be embarrassed by this, since I felt a little panty-waisted praying for “wisdom” about “that girl” while reading: Be merciful to me, O God, for man would…
I’d like to start by thanking Peter for taking the time to read and review The Slavery of Death and for letting me share a few thoughts about some the questions and concerns he had about the book. Let me start with a confession. Interdisciplinary work is a scary thing…
The extension of rights to the Jews was one of the great achievements of the French Revolution, and in Out of Revolution: Autobiography of Western Man (219-29) Rosenstock-Huessy moves from a discussion of the resulting Jewish enthusiasm for liberalism to a digression dealing with the relation of Jews and Gentiles…
In two recent books, The Slavery of Death (2014) and Unclean: Meditations on Purity, Hospitality, and Mortality (2011), Richard Beck, a professor of psychology at Abilene Christian University, explores the connections of theology and psychology. Both books examine the overlap between biblical themes and psychological research. The Slavery of Death…
Epiphany is a season of light. The specific event celebrated during Epiphany is the visit of the magi to the Christ child, but the magi were always understood as the firstfruits of the nations. The magi were drawn to the Christ child by a light in the sky, a star…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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