Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
An addendum to the earlier post on Romans. In my first essay, I pointed out how the role of the sin of Joseph’s brothers in bringing about Joseph’s exaltation in Egypt, and the resulting salvation of the world from famine, might show us and explanation to some of the distinctive…
When Paul wrote to the Romans, he was obviously writing a missionary support letter of a sort. One can read Romans 1.15 and then jump into 15.23 (“[S]ince I no longer have any room. . . .) without losing virtually any coherence. Yet into this letter he “dropped,” as it…
The Westminster Confession says that each passage has one meaning , not many, and that gets picked up on by lots of people who are suspicious of and do not like typological readings of Scripture. I will defer to wiser and more learned heads than mine as to exactly what…
By arresting, torturing, and killing Jesus, the authorities thought that they were securing well being and peace again in their society by means of the tried and true method of a single-victim scapegoat. Everyone’s thirst for violence will be satisfied and we can get on with the business of everyday…
This is the second in a series of essays on "Continuing the Reformation." In his important though sadly unavailable book, Calvin's Doctrine of the Church (Brill, 1970), Benjamin Charles Milner argues persuasively that in Calvin's view God's perfect order for His creation, an order that was to grow and develop…
Trinity House Fellow James Jordan recently gave a series of lectures in London on how to read the Bible. They are available online at NorthLondonChurch.org .
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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