Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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Biblical writers often use "text painting": the form of the text portrays the topic of the text. The first half of the flood narrative describes the rising waters, steadily raising the ark toward heaven. The second half describes the descending waters. At the center: "Yahweh remembered Noah" (Genesis 8:1). Rise,…
A response to Jordan Ballor’s review of my Creator , which was published at Acton.org on August 12. 1. Ballor says that, to avoid pantheism or panentheism, God’s identity as creator must be “relative, secondary, or conditional.” He rightly says that I argue the opposite: “God is Creator” is the…
Jonathan Edwards didn’t think the world is a machine. At the heart of the mechanistic interpretation of Newtonian physics, he discerned, was the notion that “bodies” are (in Robert Jenson’s words) “the sort of thing that either can or cannot act ‘properly by themselves.’” The mechanistic world picture involved an…
Joshua Jipp argues that Paul's Areopagus address contains both critique and propaganda, critique of Athenian superstition, lust for novelty, and idolatry, and propaganda in favor of Christian faith as a more consistent fulfillment of the aspirations of Hellenistic philosophical theology. Much of the critique, Jipp shows, is drawn from Isaiah's…
Cobbling together some notes for a lecture series, I was reminded of Seamus Heaney's little poem, " Anahorish ." The Gaelic name means “place of clear water,” as the first line indicates, and the etymology suggests a place of purity and innocence. Anahorish was near Heaney’s childhood home in County…
In an article in the Harvard Law Review from the early 1980s, Robert cover explores the relation of legal structure and narrative. His analysis has wide-ranging legal, political, and even theological import. Cover states the thesis early: We live in “normative universes,” social worlds that distinguish between right and wrong,…
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