Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What happens at the Table of the Lord? If Christ is really present, then how is this so? The witness of the Church throughout history has been that Christ is present in the Eucharist through the operation of the Holy Spirit, and in the practice of the Church, prayers at…
In the power of the Spirit, the gospel forms a society in which there is neither Jew nor Greek, slave nor free, a society that is characterized by unity, long-suffering, patience; love. The gospel forms a culture whose participants do not steal but labor and give, who are not angry…
At the 1997 Biblical Horizons Summer Conference, the Rev. Jeffrey Meyers presented a series of remarkable lectures on the gospel of Mark. Among his many insightful comments, he suggested that the second gospel continues where the first gospel ends; Matthew ends with Jesus saying "Go" (Matthew 28:19), and Mark’s shows…
On October 25 at Avondale Brewery , Theopolis will be co-sponsoring the 2nd Annual Birmingham Life and Culture Series. This year's event will feature author Joseph Bottum. Joseph is known for his writings on literary criticism, religion, and his short stories. Essayist and reviewer Mary Eberstadt has said that "his…
One of the curiosities of the New Testament revelation is its focus on Galilee. The region of Galilee was given to Asher, Zebulun, Naphtali, and Issachar, and the events of Judges 4-8 occurred there, so it had some importance in Israelite history. But when the tribe of Ephraim led the…
In a recent post , Ian Paul discusses the practice of allegorical interpretation, reflecting in particular upon a conversation he had with someone concerning the reading of the story of Rahab. Paul’s interlocutor argued strongly for an allegorical reading of the Rahab story, writing: “Joshua is a type of Christ…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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