Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Stranger: Do you have to use so many cuss words? The Dude: What the f*ck you talking about? - The Big Lebowski There was a man I knew, an elder at his church, who, whenever he was called upon to announce a pregnancy, preferred the euphemism “with child” because…
I know what you’re thinking. Organ: funeral, ball game, grand dusty cathedral. Why should modern Christians of such a technological age revisit a thousand year-old instrument? Don’t worry, I will not be trying to punch another hole in my Weird Music Preferences and Opinions card here. The truth is, our…
Do things have natures? As I am posing the question, it is not simply a question of whether there are particular kinds of things in the world that have characteristic features, patterns of behavior, trajectories of growth and development. If that is what the word means, then the answer is…
We are excited to announce our 2016 Nevin Lectures featuring Father John Behr. Fr. John is the Dean of St. Vladimir's Seminary and Professor of Patristics, as well as the author of multiple works. He will be delivering three lectures over the course of two days dealing with "What Protestants…
New Year's Day makes one reflective, at least about the past year, perhaps about life, perhaps, more broadly, about time itself. Many view time as a curse. Some see it as a curse because of missed chances. As one day or year moves on to the next, all we can…
It seems a truism to say that we live in the world: that the world is outside of us. In reality the world is very much inside of us too. In fact the world passes through us as much as we pass through it. We breathe in its air, using…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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