Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jonah is Paul’s typological opposite. Indeed, in the whole Old Testament, it would be difficult to find a more perfect foil to Paul than Jonah. Whereas Paul crosses the sea to enact God’s saving purposes for the Gentiles, Jonah crosses the sea to avoid bringing Gentiles God’s mercy. For that…
Years ago, I realized that if my children wanted to feel like their house was a home, I needed to be intentional about making our physical shelter a place of spiritual refuge. I began to see the Holy Spirit as the indwelling person of the Trinity—the one who makes His…
When the crowds encircle Christ in Solomon’s Porch during the Festival of Dedication, they charge him: “tell us boldly who you are!” 1 They do not draw-up to him to with excited anticipation as they did earlier in the Gospel, 2 instead they flank him like a gang of wolves.…
1 In Deuteronomy 7:1-5, Moses wrote: When Yahweh your God brings you into the land which you go to possess, and has cast out many nations before you, the Hittites and the Girgashites and the Amorites and the Canaanites and the Perizzites and the Hivites and the Jebusites, seven nations…
Every Advent witnesses the gruesome reanimation of the voice that whispers “you know , Christmas is just a pagan holiday…” with that sort of conversational ellipsis that does not so much invite further reflection but halts and forecloses it. The claims are several and equally spurious: Jesus wasn’t born on…
Abraham's life in Genesis is a series of trials. He travels hundreds of miles from his family into a new land, flees from a famine into the hands of a king who takes his wife, and after returning, has to rescue his brother from a war. He's involved with two…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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