Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Our creeds, taking cues from Matthew 28:18-20 and other biblical texts, speak of the order of the Trinity as “Father, Son, Spirit.” This order is evident in the order of redemption as well: the Father sends the Son, who ascends to heaven to receive and send the Spirit. Luke 1,…
The category of “relation” has long been central to Trinitarian theology, [1] but in recent theology it has become a transcendental, as many theologians have argued that relationality is the leading feature not only of divine life but of created life. [2] Human beings made in the image of the…
Listen to Trinity House President Peter Leithart discuss his article on the End of Protestantism with LCMS pastor Todd Wilken at Issues, Etc .
One of the keys to understanding the parable of the wheat and tares (Matthew 13) is to understand the time frame. Jesus is speaking in pictures and symbols about some period of history, but which? What’s the beginning, and what’s the end of the parable? Is Jesus talking about what…
Shakespeare wrote two tetrologies of English history, patriotically celebrating the Tudor monarchy by recounting its chaotic prehistory. Read in chronological order, Shakespeare’s English histories trace the depressing collapse of medieval politics, from the ineffectual but dignified medieval kingdom of Richard II, through the usurpation of Henry Bolingbroke, later Henry IV,…
The Heart of Liturgy What we call sacrament, the food-aspect of worship, is essential here. Biblically, sanctuary worship, or worship in the heavenlies, is always a “marriage supper,” always sacramental. The Papal Church made the Eucharist into a private act largely separated from the community of the church. Protestant churches…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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