Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Colossians 4:7-9, Paul tells the Colossian church that he is sending Tychicus and Onesimus to them. It is clear that they are to deliver the letter Paul has written to the church and that they are also to report to the church the details of Paul’s ministry in chains…
On the 11 th of April, 1985, the communist dictator Enver Hoxha breathed his last. It was the beginning of the end of communist Albania. After 40 years of being isolated from almost the entire world, the Albanian people started to see what life really looked like outside their borders.…
Karl Ove Knausgaard once reminisced about an author he referred to as “the man with his sweater tucked into his trousers” who, upon entering the room, would declare as if it was his creed, “I write because I am dying.” Knausgaard acknowledges this to be one reason among many why…
The Missing “It Was Good” The patterns and repetitions of Genesis 1 are well known: God speaks, it happens, and God sees that it’s good; names are given, and there’s evening and there’s morning: a day. But the patterns of creation, like the patterns throughout Scripture, are marked by variation…
And it is my prayer that your love may abound more and more, with knowledge and all discernment, so that you may approve what is excellent, and so be pure and blameless for the day of Christ, filled with the fruit of righteousness that comes through Jesus Christ, to the…
The Bible is a book about trees. We start in Eden with two trees, we end in the New Jerusalem with a single double-trunked tree, and the story hinges around the tree they nailed our Lord to. Seeing the Forest We find trees singled out on day three of creation.…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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